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Do you enjoy attending concerts or opera performances and would like to get to know their protagonists and their professional experiences a little better? Or are you a classical music student curious to know more about the profession? If you fit one of these two profiles, I invite you to join us in the "Clàssica en català" conversations where professionals on or next to the stage describe the technical, human and professional aspects of Classical Music.

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If you are part of the opera community in Catalonia, whether as a student, teacher, professional or music lover, "EnlíriCA'T" is the podcast in catalan that empowers the opera field around you. On each episode Anna tackles a significant issue in the development of an opera career or in how it fits into society. She also invites an expert to freely offer his or her opinion and introduces you to two vocal talents trained in Catalonia, one from the 20th century and the other from the 21st century.

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About anna

Praised for her “emphatic performance and glowing vocalization” (Die deutsche Bühne) and “great dramatic and vocal work” (Ópera Actual), catalan mezzo-soprano Anna Alàs i Jové recently made international critically acclaimed main roles debuts in the world premiere "Unter dem Gletscher" and the belcantist “I Capuleti e i Montecchi”, aswell as her rendition as Cherubino, all at the Linz Opera; also her recent opera recording “Alba eterna” (Sony Classical) has been highlighted by spanish critics.

Among her last debuts stand out Donizetti's "La fille du régiment" at the renowned Quincena Musical de San Sebastián (Spain), Wagner's "Rienzi" at the Leipzig Opera and the leading role of Rossini's "La Cenerentola" at the Cologne Opera.
Next debuts include Ottavia in Monteverdi's "L'incoronazione di Poppea" at the Oper Wuppertal as well as Mendelssohn's "Elias" next to the Sinfónica de Tenerife (Spain).

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G. Rosssini
"La Cenerentola"

"The undisputed star of this evening, which ended with a standing ovation, is the mezzo-soprano Anna Alàs i Jové (...) the full sensuality of her register is always combined with melancholy at vertiginous speed."
 Juan Carlos Tellechea - Mundo Clásico 

V. Bellini
"I Capuleti e Montecchi"

"Anna Alàs i Jové has the necessary acting presence and impressive vocal competence for the once Agnes Baltsa's brilliant role and strikes the balance between devoted love and resoluted social-political commitment."
Walter Gürtelschmied - Die Presse

M. Obst
"Unter dem Gletscher"

"Anna Alàs i Jové shines in the pants role with her expressive mezzo-soprano voice. Vocally and actoral, she masters this difficult and complex role of the young and inexperienced priest with ease and great versatility."
Carola Baumann-Moritz - Passauer Neue Presse

W. A. Mozart
"Le nozze di Figaro"

"The secret star was Anna Alàs i Jové with her dark timbred mezzo voice. The precocious page purrs, he sighs, as if by the sight of a woman his pants fell off. She sings absolutely confident in the melody and clear in the articulation."
Edda Breski - Westfälischer Anzeiger

H. Purcell
"Dido and Aeneas"

"Speaking of singing, the level was very high, especially in Anna Alàs i Jové's interventions, a mezzo-soprano who performed such a carnal and spiritual loving Dido, in a heartfelt and intense final lament."
Enrique Bert - Platea Magazine 


28/04/2024  Philharmonie Berlin (Germany)  F. MENDELSSOHN "Elijah"

Rundfunk-Sinfonieorchester Berlin | Simon Halsey, conductor

30/11/2023 Palau de la Música (Barcelona) | Hommage to Maria Callas
Orquestra Simfònica del Vallès | Irene Delgado Jiménez, conductor

17, 18 & 19/11/2023  Auditorio Nacional de España (Madrid)   J. J. COLOMER "El silencio después"
Orquesta Nacional de España |  Josep Pons, conductor

21, 24, 27, 30/10/2023  ABAO Bilbao Opera (Spain) C. GOUNOD "Roméo et Juliette" (Stephano)
Lorenzo Passerini, conductor  |  Giorgia Guerra, staging


29/07/2023  Festival Internacional de Torroella de Montgrí   D. TERRADELLAS "Giuseppe riconosciuto"Vespres d'Arnadí |  Dani Espasa, conductor

30/04/2023  Oper Wuppertal (Gernany)  C. MONTEVERDI "L'incoronazione di Poppea" (Ottavia)
Sinfonieorchester Wuppertal  |  Matthew Toogood, conductor  |  Immo Karaman, staging

7, 12/05/2023  Oper Wuppertal (Gernany)  C. MONTEVERDI "L'incoronazione di Poppea" (Ottavia)
Sinfonieorchester Wuppertal  |  Matthew Toogood, conductor  |  Immo Karaman, staging

2, 25/06/2023  Oper Wuppertal (Gernany)  C. MONTEVERDI "L'incoronazione di Poppea" (Ottavia)
Sinfonieorchester Wuppertal  |  Matthew Toogood, conductor  |  Immo Karaman, staging

23/05/2023  Teatro Arriaga (Spain)  C. SCHUMANN | R. SCHUMANN - Lied Recital
Aurelio Viribay, pianist

08/03/2023  UdK Konzertsaal (Berlin, Germany)  E. SMYTH Messe in D-Dur
Berliner Cappella  Neues Konzertorchester Berlin | Sergi Gili, conductor

30/03/2023  La Laguna (Spain)   F. MENDELSSOHN "Elijah"

Orquesta Sinfónica de Tenerife | Víctor Pablo Perez, conductor

31/03/2023  Auditorio de Tenerife (Spain)  F. MENDELSSOHN "Elijah"

Orquesta Sinfónica de Tenerife | Víctor Pablo Perez, conductor

28, 29/01/2023  L'Auditori (Barcelona, Catalonia)  C. DEBUSSY "La damoiselle élue"

Orquestra Simfònica de Barcelona - Ludovic Morlot​, conductor

​4, 6, 8/01/2023  Oper Köln (Germany)  G. ROSSINI "La Cenerentola" (Angelina)

Gürzenich-Orchester Köln  Matteo Beltrami, conductor  |  Cecilia Ligorio, staging

21, 25, 31/12/2022  Oper Köln (Germany)  G. ROSSINI "La Cenerentola" (Angelina)

Gürzenich-Orchester Köln   Matteo Beltrami, conductor  |  Cecilia Ligorio, staging

​23/09/2022   Intl Hugo Wolf Akademie (Stuttgart, Germany)   Lied Round Table



​12/08/2022  Quincena Musical de San Sebastián (Spain)  DONIZETTI "La fille du régiment" (Marchese de Berkenfield)

Euskadiko Orkestra  Lucas Macías, conductor | Guillermo Amaya, staging


- opera & concert -
Natalie K. Kreft

+49 17 32 87 74 48

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